Every City Needs a Different Silence

Silence is not universal.

This surprised me.

I used to think silence was simply the absence of sound.

A useful theory, ruined almost immediately by listening.

A quiet street in London does not sound like a quiet street in New York.

Prague has its own silence.

So do railway stations, hotel corridors, libraries, and cafés five minutes before closing.

The volume may be the same.

The silence is not.

Perhaps this is because silence is shaped by what we expect to hear.

In a city that rarely stops moving, a sudden absence of traffic feels enormous.

In an old building, silence is interrupted by the building itself.

Pipes.

Wood.

A radiator expressing a strong opinion about winter.

Nothing dramatic is happening.

The place is simply refusing to be completely quiet.

I like this.

Stories often use silence as if it were a single instruction.

THE ROOM FELL SILENT.

Very efficient.

Everyone stops speaking.

Atmosphere arrives.

The reader understands that something important has happened.

Sometimes this is exactly what the scene needs.

But I have become more interested in what remains after people stop talking.

A glass placed on a table.

A chair moving slightly.

Traffic six floors below.

Someone breathing through their nose because they are trying very hard not to say what they are thinking.

Especially that.

Silence does not remove information.

It changes where we look for it.

Perhaps cities work the same way.

London silence can feel private.

New York silence feels temporary.

Prague silence seems older than the person noticing it.

I am still deciding what Los Angeles sounds like when nobody is speaking.

Probably traffic.

Some cities refuse to cooperate.

But this is why I do not want every quiet scene to feel the same.

A character sitting alone in a Tokyo hotel room should not experience silence the way they would beside a river in Prague.

The person may be the same.

The quiet is not.

Places participate.

Even when they say nothing.

Especially then.

So when I think about a city, I try to listen for the moment when it becomes quiet.

Not because silence reveals the city’s true character.

I do not think cities have true characters.

They have too many.

But silence removes some of the competition.

For a moment, fewer things are asking to be noticed.

That is usually when I notice the thing I was looking for.

Or something considerably more inconvenient.

— D. Vaen

Leave a Comment